Hoping (Feathers by Jacqueline Woodson)

I've fallen in love with a new author: Jacqueline Woodson. I met her through her book Feathers which I picked up off of the Black History display of books for children in my town's library.

It's the skinny book on the right with 'J' for juvenile on it. My review of the book on the left, Children of Blood and Bone, can be found here. As for the book in the middle The Sellout, I'm still reading it. Beatty writes satire which is not my normal go-to genre to read.

However, Feathers is the type of book I enjoy immensely: thought-provoking and discussable with characters I care about even though the book is written for a juvenile audience and short in length, all of which makes it a good choice for middle school or high school interdisciplinary units...or for a adult discussion group in need of something with fewer pages (say during a holiday season).

I picked up this book from the local library's display of books for Black History month in February. This book, along with the other two books mentioned already and three other books (I'm Still Here, Under Our Skin, and Thirteen Ways of Looking at a Black Boy -- another children's book) are providing me with a diverse group of voices.

The voice in Feathers is gentle. As mentioned by other reviewers, Woodson includes a lot of issues--mom who keeps miscarrying, deaf brother, new boy in town who doesn't look like the rest of the classroom, classmate who struggles with living the Christ-following life versus saving souls, bullying, and outsiders.

I like that the deaf brother isn't just in the story to help the main character grow or move the story along. Granted, he is one of the "outsiders", but there is a little something "outsider" about each of the characters except the mean girls who are no longer interested in a good looking young man once they find out he is deaf.

I have to admit that my reading of the other books mentioned in this review raised a question for me as to whether the outsider coming into the community had to be this particular boy. I won't write more than that. There are some interesting twists at the end, and in the case of this book, you could read some of the reviews and find out all about the story, but I felt it meant something more to me to come at the story cold, knowing nothing about it.

💕💕💕 While I was able to pull from a small section (2 shelves) of our home library a number of books with diverse characters, I was disappointed to realize that only 3 of the 10 books had black or Hispanic authors. (We do have a large collection of books written by Alan Say, but he may be our only Asian author. ) Those three are Marie Bradby, Patricia C. McKissack, and John Steptoe. It's possible that when my children were young, we did not have access to more diversity anymore than we had access to characters with medical challenges being anything more than characters to help the main character grow. However, that is not the case anymore, and just reading about diverse characters is not enough. We all need to read works from a diverse group of writers.

--- At the moment, I can't think of a better way to grow in Christ-likeness in the area of seeing all humans as created in God's image than to get to know a diverse group of people as friends. And, if that is not forthcoming, then at least to start reading literature written by a diverse group of writers.   

Arising (Children of Blood and Bone by Tomi Adeyemi)

Let's start with the content warnings first. If you don't read books that have multiple deities and/or magic in them, then don't read this book. If you do read metaphorical, symbolic, and allegorical books, then you may or may not like this one depending on what you bring to the reading. I've pictured Children of Blood and Bone (CBB) by Adeyemi with The Master and Margarita (MM) by Bulgakov because what Elena N. Mahlow writes of MM is true of CBB: "...the subtext is the reason...the main story" (The Master and Margarita: The Text as a Cipher).

That subtext is socio-political with a good measure of religion thrown in...but make no assumptions about which is which. In Bulgakov's case, the religious parts of the story held the truth about the reign of Stalin whereas the political parts that looked like they held to a political line, were not really acquiescing to the current political state at all.

I'm not saying that Adeyemi had that deep of intentions in Children of Blood and Bone (CBB)  but Adeyemi, like Bulgakov, did have some political issues in mind (because Adeyemi tells this to her readers).

Also, like Bulgakov, Adeyemi is a powerful storyteller. I don't normally like authors to switch to a different character in the story for each chapter, but I was so engrossed in Children of Blood and Bone (CBB), the changes and transitions seemed flawless and smooth. I started this book on February 23 and finished it on February 24 -- a 531 page book.

A quick read through the reviews of the book really do point back to my first comment about how what a person brings to the reading determines how the reader values the book. A Yorùbá woman pointed out the flaws in the story (even though the story is fantasy, the Yorùbá really are a Niger-Congo ethnic group), and that took away some of the excitement I felt with the story; nonetheless, I still have to admit once again: I read the entire book within 24 hours.

The book was given to me by a daughter along with two other books. I kept putting her off on this book because I thought it was going to be scary (I don't like horror books or grisly realistic murder anything) so when we finally read it, I found the story intriguing and raced ahead of the daughter (just had to put that in here).

💕💕💕 I found out later that CBB is a YA book, which probably explains the light touch in the romance/sex department. I don't know that I would recommend it as a YA book, but I saw that a teacher has put together a classroom guide. I don't know that I'll buy it, but I am curious about what he pulled together. The "cutting" part of the book disturbs me a bit because the cutting in this book leads to powerful magic unlike the cutting in Storm Siren by Mary Weber -- in Weber's book, cutting is a mark of slavery.

--- The power in blood shown in CBB goes way back in time. In fact, I recently heard an old hymn about the power in the blood. Since this is my spiritual transformation section of my blog, I'm going to ask a question here that others have been raising. Has the emphasis on the blood of Jesus rather than the life, resurrection, and ascension of Jesus actually led to a lot of Vampire Christians (just a little bite of Jesus' blood gets you into eternity)?